This book provides a rigorous and cross-disciplinary analysis of this Melanesian nation at a critical juncture in its post-colonial and post-conflict history, with contributions from leading scholars of Solomon Islands. The notion of 'transition' as used to describe the recent drawdown of the decade-long Regional Assistance Mission to Solomon Islands (RAMSI) provides a departure point for considering other transformations - social, political and economic -under way in the archipelagic nation. Organised around a central tension between change and continuity, two of the book's key themes are the contested narratives of changing state-society relations and the changing social relations around land and natural resources engendered by ongoing processes of globalisation and urbanisation. Drawing heuristically on RAMSI's genesis in the 'state- building moment' that dominated international relations during the first decade of this century, the book also examines the critical distinction between 'state-building' and 'state formation' in the Solomon Islands context. It engages with global scholarly and policy debates on issues such as peacebuilding, state-building, legal pluralism, hybrid governance, globalisation, urbanisation and the governance of natural resources. These themes resonate well beyond Solomon Islands and Melanesia, and the book will be of interest to a wide range of students, scholars and development practitioners. This book was previously published as a special issue of The Journal of Pacific History.

This book gathers selected peer-reviewed contributions to the 1st European Congress on Biomedical and Veterinary Engineering, BioMedVetMech 2022, held on October 1–3, 2022, in Zagreb, Croatia. It offers a timely snapshot of  research findings and advances technologies in the area of biomechanics, rehabilitation and surgery. It covers applications of brain-computer interface, virtual reality and functional electrical stimulation, among others.  

Japanese popular culture is constantly evolving in the face of internal and external influence. Popular Culture, Globalization and Japan examines this evolution from a new and challenging perspective by focusing on the movements of popular culture into and out of Japan.

Taking a multidisciplinary approach, the book argues that a key factor behind the changing nature of Japanese popular culture lies in its engagement with globalization. Essays from a team of leading international scholars illustrate this crucial interaction between the flows of Japanese popular culture and the constant development of globalization. Drawing on rich empirical content, this book looks at Japanese popular culture as it traverses international borders flowing out through such forms as manga consumption in New Zealand and flowing in through such forms as foreigners writing about Japan in Japanese and how American influences affected the formation of Japan's gay identity.

Presenting current, confronting and sometimes controversial insights into the many forms of Japanese popular culture emerging within this global context, Popular Culture, Globalization and Japan will make essential reading for those working in Japanese studies, cultural studies and international relations.

Japanese popular culture is constantly evolving in the face of internal and external influence. Popular Culture, Globalization and Japan examines this evolution from a new and challenging perspective by focusing on the movements of popular culture into and out of Japan. Taking a multidisciplinary approach, the book argues that a key factor behind the changing nature of Japanese popular culture lies in its engagement with globalization. Essays from a team of leading international scholars illustrate this crucial interaction between the flows of Japanese popular culture and the constant development of globalization. Drawing on rich empirical content, this book looks at Japanese popular culture as it traverses international borders flowing out through such forms as manga consumption in New Zealand and flowing in through such forms as foreigners writing about Japan in Japanese and how American influences affected the formation of Japan's gay identity. Presenting current, confronting and sometimes controversial insights into the many forms of Japanese popular culture emerging within this global context, Popular Culture, Globalization and Japan will make essential reading for those working in Japanese studies, cultural studies and international relations.

Dynamics of Coupled Structures, Volume 4:  Proceedings of the 40th IMAC, A Conference and Exposition on Structural Dynamics, 2022, the fourth volume of nine from the Conference brings together contributions to this important area of research and engineering.  The collection presents early findings and case studies on fundamental and applied aspects of the Dynamics of Coupled Structures, including papers on: Transfer Path Analysis Blocked Forces and Experimental Techniques Real-Time Hybrid Substructuring and Uncertainty Quantification in Substructuring Nonlinear Substructuring

This book provides a rigorous and cross-disciplinary analysis of this Melanesian nation at a critical juncture in its post-colonial and post-conflict history, with contributions from leading scholars of Solomon Islands. The notion of 'transition' as used to describe the recent drawdown of the decade-long Regional Assistance Mission to Solomon Islands (RAMSI) provides a departure point for considering other transformations - social, political and economic -under way in the archipelagic nation. Organised around a central tension between change and continuity, two of the book's key themes are the contested narratives of changing state-society relations and the changing social relations around land and natural resources engendered by ongoing processes of globalisation and urbanisation. Drawing heuristically on RAMSI's genesis in the 'state- building moment' that dominated international relations during the first decade of this century, the book also examines the critical distinction between 'state-building' and 'state formation' in the Solomon Islands context. It engages with global scholarly and policy debates on issues such as peacebuilding, state-building, legal pluralism, hybrid governance, globalisation, urbanisation and the governance of natural resources. These themes resonate well beyond Solomon Islands and Melanesia, and the book will be of interest to a wide range of students, scholars and development practitioners. This book was previously published as a special issue of The Journal of Pacific History.

Japanese popular culture has developed in many unexpected and fascinating ways. From contemporary pop culture's beginnings in the shadow of the Second World War and the earlier China campaign, Japan's sense of identity has been contested, challenged, reconsidered, restructured, and revived through multiple popular media. Pop culture, though, has always occupied a singular place in Japan's expression of selfhood and otherness, providing vicarious experiences of life within Japan. Today, Japanese popular culture's global influence is felt most keenly in movie culture, animation, television, the Internet, social media, music, fashion, and comics (manga), to name but a few fields and technologies. Indeed, visual culture, specifically television and movies, with a strong emphasis on animation (anime) and manga, led the first wave of Japanese pop-culture exports in the second half of the twentieth century. Since then, academic interest in these exports, both at home in Japan, and overseas, has developed rapidly. The second wave of Japanese popular culture followed the digitization of much of the global media: rapid communications, global connectedness, and the development of new media have provided platforms on which Japanese pop culture has been presented and critiqued, engaged, and transformed. More complex, more hybrid, and more sophisticated, the relationships between Japan and the rest of the world are often given voice through new readings and interpretations of the interconnected popular cultural world. The assembled articles in Volume I of this new Routledge collection of major works provide a comprehensive overview of the postwar history of Japanese popular culture. Topics include the emergence of popular culture as an academic field in Japan; the genesis of manga and anime; analyses of various cultural artefacts and phenomena, such as censorship and popular culture during the postwar occupation; the 1970s origin of kawaii culture; and street fashion in the 1980s. Volumes II and III, meanwhile, focus on the twenty-first century. Over the last decade especially, the transnational presence of Japanese popular culture has accelerated, and with it scholarship on Japanese popular culture has grown in depth and diversity. The themes explored in these volumes include the role of digital technology in popular culture; esoteric cultural artefacts and activities, such as loli fashion, maid cafes, otaku culture, and traditional music reinvented as pop, as well as more conventionally popular products such as anime, TV drama, and shojo manga. Collectively, the volume demonstrates the complex and heterogeneous nature of the Japanese pop-culture landscape in the twenty-first century. The final volume in the collection addresses broader issues associated with Japanese popular culture and globalization. As Japan sought to boost its international 'soft power' via a 'Cool Japan' strategy, the academy began to pay serious attention to the political-economic implications of Japan's pop-culture exports. The soft-power rhetoric has become a significant marker of popular culture in Asia in particular, and Japan's influence regionally has been explored from a number of angles. Along with seminal pieces from Nye, Huat, and Iwabuchi, authors in the first section of Volume IV examine the rise of Japan's pop-culture industry, and investigate the socio-economic and political-economic implications of topics such as 'the Japan Brand', 'Cool Japan', and 'Cute Japan'. In the second section, case studies of soft power are brought to the fore, and analyses of the implications for people and culture are developed. Collectively, the materials gathered in this volume demonstrate the highly mobile and complex nature of the globalization of Japanese popular culture.

Internet research spans many disciplines. From the computer or information s- ences, through engineering, and to social sciences, humanities and the arts, almost all of our disciplines have made contributions to internet research, whether in the effort to understand the effect of the internet on their area of study, or to investigate the social and political changes related to the internet, or to design and develop so- ware and hardware for the network. The possibility and extent of contributions of internet research vary across disciplines, as do the purposes, methods, and outcomes. Even the epistemological underpinnings differ widely. The internet, then, does not have a discipline of study for itself: It is a ?eld for research (Baym, 2005), an open environment that simultaneously supports many approaches and techniques not otherwise commensurable with each other. There are, of course, some inhibitions that limit explorations in this ?eld: research ethics, disciplinary conventions, local and national norms, customs, laws, borders, and so on. Yet these limits on the int- net as a ?eld for research have not prevented the rapid expansion and exploration of the internet. After nearly two decades of research and scholarship, the limits are a positive contribution, providing bases for discussion and interrogation of the contexts of our research, making internet research better for all. These 'limits,' challenges that constrain the theoretically limitless space for internet research, create boundaries that give de?nition to the ?eld and provide us with a particular topography that enables research and investigation.

This book, first published in 1995, is about the underside of Japan's economic miracle. It is an account of people who have been forgotten in Japan's push to industrialise in the post-war era: the coal-miners of Chikuho on Japan's southernmost island. The dirty and neglected character of Chikuho is in stark contrast with Japan's prevailing image as an international leader in technology and an affluent, socially cohesive country. As coal industries in industrialised nations around the world are closed down, regions like Chikuho embody the concept of underdevelopment within highly developed societies. Matthew Allen challenges the concepts of industrial harmony, economic foresight, cultural homogeneity and caring political management that dominate much of the literature on Japan. He describes how the people of the coalfields see themselves, providing insights into an aspect of Japanese society that is rarely encountered.

This book is about the underside of Japan's economic miracle. It is an account of people who have been forgotten in Japan's push to industrialize in the postwar era: the coalminers of Chikuho on Japan's southernmost island. The dirty and neglected character of Chikuho is in stark contrast with Japan's prevailing image as an international leader in technology and an affluent, socially cohesive country. The book challenges the concepts of industrial harmony, cultural homogeneity and caring government that dominate much of the literature on Japan.

Internet research spans many disciplines. From the computer or information s- ences, through engineering, and to social sciences, humanities and the arts, almost all of our disciplines have made contributions to internet research, whether in the effort to understand the effect of the internet on their area of study, or to investigate the social and political changes related to the internet, or to design and develop so- ware and hardware for the network. The possibility and extent of contributions of internet research vary across disciplines, as do the purposes, methods, and outcomes. Even the epistemological underpinnings differ widely. The internet, then, does not have a discipline of study for itself: It is a ?eld for research (Baym, 2005), an open environment that simultaneously supports many approaches and techniques not otherwise commensurable with each other. There are, of course, some inhibitions that limit explorations in this ?eld: research ethics, disciplinary conventions, local and national norms, customs, laws, borders, and so on. Yet these limits on the int- net as a ?eld for research have not prevented the rapid expansion and exploration of the internet. After nearly two decades of research and scholarship, the limits are a positive contribution, providing bases for discussion and interrogation of the contexts of our research, making internet research better for all. These 'limits, ' challenges that constrain the theoretically limitless space for internet research, create boundaries that give de?nition to the ?eld and provide us with a particular topography that enables research and investigation.